Miguel Betancourt (Quito, Ecuador, 1958) is an Ecuadorian contemporary visual artist whose career of more than four decades spans painting, drawing, and mixed media. His aesthetic establishes an enduring dialogue between ancestral Andean memory, colonial architecture, and contemporary artistic exploration. Formed at the Pontificia Universidad Católica del Ecuador and a British Council fellow at the Slade School of Fine Art (London), his body of work stands out for rigorous chromatic research and material experimentation with both organic and traditional substrates such as rice paper, native reeds, and canvas.
Explore original paintings in the Online Gallery, review monograph books in Publications, or access art criticism essays in the Press Archive.
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A visual selection of the painter’s recent work, presented as an echo of his characteristic themes and techniques.
Miguel Betancourt has built an artistic career defined by exploration, color, and an enduring openness to other cultures. From his earliest formative experiences to his participation in biennials, international exhibitions, and institutional collections, his work has traversed diverse territories and cultural contexts.
Miguel Betancourt took his first steps in painting alongside Ecuadorian artist Oswaldo Moreno, gaining early fundamentals of the craft and visual sensibility.
Attends an intensive painting workshop at the Milwaukee Art Museum, expanding his technical and visual perspective.
Graduates from the School of Pedagogy and Letters at PUCE (Quito). Presents his first major solo shows at Galería Goríbar in Quito (1982) and Casa de la Cultura in Cuenca (1983).
Presents "Las Puertas, los Muros y los Hilos" (Galería Sosa-Nesle, Quito). Participates in the VII International Art Biennial of Valparaíso (Chile), Miraflores (Lima), and the I International Painting Biennial of Cuenca.
British Council Scholar at the prestigious Slade School of Fine Art (UCL, London). He was mentored by the prominent British abstract painter John Hoyland, developing a close friendship and lasting artistic dialogue. Betancourt held a solo exhibition at the Slade School Gallery.
In the late 1980s, Betancourt established an enduring professional dialogue with William Jeffett (currently Chief Curator at The Salvador Dalí Museum, USA, and a leading scholar on surrealists including Joan Miró). Jeffett collected his work and authored key critical essays on his painting. Later, Betancourt invited him to serve as an international juror at the Cuenca Biennial.
Solo exhibitions "Natura e Forma" & "Selvaojival" at Istituto Italo-Latino Americano (IILA, Rome) and Alte Schmiede (Vienna); Ecuadorian Pavilion at Expo 92 Seville; October Gallery (London); XLV Venice Biennale (1993); I Andean-American Triennial (Santiago); and conferred the prestigious Pollock-Krasner Foundation Award in New York.
"Arborescencias" at Moscoso Gallery (Washington D.C.); Deloitte & Touche (Arnhem & Amsterdam); "Memoria Vegetal" (Lexington & Quito); "Pinturas" at Museum König (Bonn); Galerie van den Broek (Netherlands); The British Council (Quito); Ibero-American Art Fair (Caracas); and Latin American Art at Galería L’Atelier (Alexandria, Egypt).
"Ecuador Contemporáneo" at Casa de América (Madrid); Museum of Latin American Art (MoLAA, California); Museo de Arte Contemporáneo (MAC, Santiago); "Eros en el arte ecuatoriano" at Museo Nacional de Bellas Artes (Chile) and Museo Antropológico (Lima); and "Piedra Roja sobre Piedra Azul" at Galería Alte Schmiede (Vienna).
Solo exhibition at the Palais des Nations (United Nations, Geneva); "Ecuador en España" at Casa de América (Madrid); "Legados del Magma" at the Multicultural Festival (Canberra Museum, Australia); "Arquitectura Vegetal" at Museo de la Nación (Lima); and Galería István Rozsics (Budapest).
Museum of Latin American Art (MoLAA, California); "Arte Miami 2002" (Florida); Caramba-Latin American Gallery (Sydney, Australia); Museo Ixchel (Guatemala); Galería 1-2-3 (San Salvador); "Lugar y Tiempo del Color" at Galería Banco de Comercio (Lima); and Museo del Hombre Hondureño (Tegucigalpa).
Guest of Honour at the V SIART International Art Biennial (La Paz, Bolivia); "Tendencias Visuales" at Galería CAF (Caracas); 4 Contemporary Ecuadorian Artists at AFS World Congress (Tokyo); IV Latin American Contemporary Art Fair ETNIA at Archivos del Rey (Brussels); and 2nd International Watercolor Triennial (Santa Marta).
From 2008 to the present day, his work forms part of the worldwide traveling collection Imago Mundi (Fondazione Luciano Benetton, Treviso), featured in major exhibitions: "Ojo Latino" in Santiago de Chile (2008), Buenos Aires (2009), Treviso (2009–2013), and Milan (Casabella Laboratorio, 2012).
Solo exhibition "Ecuador más allá de los conceptos" at Instituto Cervantes Gallery in Rome (2012); Latin American & Caribbean Artists at Tokyo City Hall Viewpoint (2011); and Casabella Laboratorio in Milan (2012).
"Ecuador in Focus" presented at OFID Headquarters Gallery in Vienna (Austria); and co-founding member of the international art movement Art Résilience in Paris (France).
Selected artist at the VI Beijing International Art Biennale (BIAB, China); and participates in the Salon International Art Résilience at Musée de Peinture de Saint-Frajou (France).
Major traveling solo & curated museum tour in Asia: "Trazos y Transparencias" at Capital Library Gallery (Beijing); "Trazos y Colores" at Jiangsu Art Museum (Nanjing); "Ecuador Through My Dreams" at Superior Gallery (Seoul) and Takanawa Gallery (Tokyo).
Solo exhibition "Transparencias del país de la mitad" at Galería Torre del Reloj (Mexico City); and "Lecturas de Quito" at Global Migration Forum.
Exhibition "Figuras Ancestrales" and book presentation *Del silencio al color* at Peripherie-Arts (Bern, Switzerland); participates in the New York Latin American Art Triennial (NYLAAT); and presents "Cosmogonías de un pintor" at Alianza Francesa (Quito).
Major anthological survey exhibition "Según la dirección del viento" at Palacio de Najas (Ministry of Foreign Affairs of Ecuador); and acclaimed outdoor monumental intervened sculptures at Meninas Madrid Gallery (Spain).
Three concurrent international exhibitions: "Raíces y visiones, un diálogo artístico" at Geba Art Gallery (Bogotá); "Feminitas, 3 miradas ecuatorianas" at Museo de América (Madrid); and "Three glances from the middle of the world" at OPEC Headquarters (Vienna).
"Ciudades Infinitas" with Javier Barreiro at Casa Museo Guayasamín (Havana); "Dos miradas de la mitad del mundo" with William Cáceres at Galleria La Pigna (Rome); and solo survey "Palingenesia" (September–October 2025) at Alianza Francesa Galleries (Quito).
2026 · June · Ad Libitum.
2026 · JUNE · AD LIBITUM
Conferred by the Pollock-Krasner Foundation in New York, recognizing artistic excellence.
Founding member of the international artistic movement Art Résilience in Paris.
Conferred by the Concejo Metropolitano de Quito for outstanding artistic career and cultural merit.